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Alba Triana

2020 State Fellow

Alba Triana

Recipient Information


Miami, Florida


Visible and Audible Sound Installation

Year of Award


Grant or Fellowship

Southern Prize and State Fellowships

Grant Amount


Artist Biography

Colombian composer/sound artist Alba Triana is known for a hybrid musical production that explores the interface between natural science, art and technology, materializing in nonconventional and varied formats ranging from experimental concert music, interactive installations, sound and light sculptures to vibrational objects.

Alba’s work has been showcased internationally in over a dozen of countries in Europe, Latin America and the U.S., winning prizes, grants and residencies including the highly prestigious Civitella Ranieri Fellowship. She has received commissions, residences, and grants from world-class institutions and ensembles such as the Kronos Quartet, American Composers Forum, ArtCenter/South Florida (USA), GMEB (France), ProHelvetia (Switzerland). Colombia’s Ministry of Foreign Affairs holds her work as part of its High Quality Cultural Portfolio.

Artist Statement

My work emerges from a deep interest in how nature intrinsically operates. Universal laws of chance, natural behaviors and phenomena, and fundamental modes of operation frame my approach to art/music making. This is why I engage creative methods that are holistic, complex, and multidimensional. Thus, my oeuvre crosses the boundaries of a diverse set of fields.

My artistic production is hybrid and takes a variety of forms, including interactive musical installations, resonating spaces, sound and light sculptures, and vibrational objects. These pieces, expressed in both space and time, are heard, walked through, and seen.

Especially in the past 10 years, the fields of the sonic and the visual have become unified in my work. In that time, I have experimented with the properties and behaviors of different types of waves, and the resonance phenomena in acoustic spaces and physical bodies that emit sound and/or light.

As in the universe, my artworks tend to be self-generating and evolving. Statistics and probabilities are used to set the conditions that define the identity and functioning of different parameters in a work. This allows for an infinite amount of outcomes that can be determined and controlled.

By promoting a meditative contemplation of nature at a micro, intangible level, my goal is to induce a state of awe, and a feeling of communion with an integrated wholeness that is active, interconnected, and unified, provoking a profound identification with the essential elements that animate and connect us.

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